Dyin Bangada: Ngunyul 'Shell'

Dyin Bangada: Ngunyul 'Shell'

A$0.00

KATE CONSTANTINE

Dyin Bangada: Ngunyul (Women’s feather adornment)
is by Kate Constantine. Kate says “Gadigal women have some of the most beautiful jewellery and adornments recorded. This design is based on a beautiful drawing by an unknown artist entitled 35: A woman of New South Wales. The woman’s name is omitted, but she is likely Gadigal or Bidjigal, judging by her facial structure and her feather adornments. This tradition of ornamentation was both a small vanity and a way of showing where someone was from, and who they were connected to. These Dyin Bangada have been forgotten but are not lost.”

For more information about Kate, please click here.

Repeat height: 34.37cm / 13.53"
Repeat width: 28.4cm / 11.18"

Minimum order: 5 metres (or 2-5 metres with small order fee of $75)
*All fabrics are printed to the nearest repeat height

Lead time: 3-5 weeks

Quantity:
Add To Cart

INDOOR WEAVE

Digitally printed in Australia
Composition: 100% polyester
Weight: 315gsm
Printed roll width: 140cm / 55.11”
Abrasion resistance: 50,000 Martindale rubs (AS2001.2.25)
Colourfastness to light (print): 5+ (ISO 105-B02)
Colourfastness to rubbing (print): wet 4+ / dry 4+ (ISO 105-X12)
Fire retardant (AS1530-3)
Environmental: printed using water-based inks, VOC and PFAS free

Treated with anti-bacterial, anti-fungal, anti-microbial and water repellent properties

Applications: wall panelling, heavy residential upholstery, general commercial upholstery, soft furnishings

Care advice

Indigenous Cultural Intellectual Property (ICIP)
This design is based on an original artwork by Kate Constantine. It may embody traditional knowledge of the artist’s community. Through best practice legal agreements, Willie Weston is authorised to adapt and reproduce this artwork on our fabrics, wallpapers and other interior products. Dealing with any part of the design for any purpose that has not been authorised by the artist is a serious breach of customary laws of First Nations communities and may also breach the Copyright Act 1968 (Cth). 

 
portrait